My Gear
Updated 03/30/14

Sony PMW- F3 35mm digital cine camera

▪The PMW-F3 camcorder is part of the CineAlta 24P family of digital cinema products.
It offers native 23.98P recording which, in combination with advanced creative features such as selectable gamma curves, makes   this camcorder ideal for cinema production.

MTF Nikon Sony F3 Adapter

This adapter allows the use of all Nikon lenses including G and DX series, on the Sony PMW-F3 camera.

XDCAM 1080p, 1080i, 720p HD Camcorder Package

▪Sony PMW-EX1 XDCAM EX camcorder
▪Sony batteries and charger
▪Switronix EX-L96 Compatible with Sony F3 via PT-XF3 Cable  

▪24GB of SxS Card Stock


Blackmagic Design HyperDeck Shuttle 2 SSD Video Recorder

▪Now I have the freedom to work in both compressed and uncompressed video depending on the needs of my project! Uncompressed video will always produce the highest quality mathematically perfect results and is ideal when recording video for color  correction, chroma keying and high end VFX work. When you need longer recording duration or you’re working with lots of video material, HyperDeck Shuttle 2 can be instantly changed over to use ProRes or DNxHD MXF compressed video files. The  popular Apple ProRes 422 (HQ) and Avid DNxHD files are SMPTE standard codecs that are used by thousands of broadcast and post production facilities worldwide as they maintain the highest 10-bit video quality with the advantage of smaller file sizes.


Vocas Cinema Package

▪MB-250 Matte Box
▪2 Filter Frames (4 x 4″) / 1 French Flag
▪2 Eyebrows / 4 x 6″ Filters
▪Compatible with Wide Angle Lenses
▪Rotatable & Fixed 4″ Wide Filter Tray
▪Quick-lock Mounting System
▪Mountable Using MBS-100 & Bars Adaptor
▪Tiffen 4X4 Neutral Density ND .9 filter
▪Tiffen 4X4 Soft Edge Graduated 0.6 ND Filter


Zacuto’s Zwing-away adapter

Film Lenses  ( Nikon Still Lenses that have been converted to Cine-Still Cinema Lenses)

▪35-17 mm Nikon F/2.8 D AF-S NIKKOR ED LENS
▪24mm Nikon Nikkor f2.8 Micro (macro lens)
▪24mm Nikon Nikkor f2 lens
▪35mm Nikon Nikkor f1.4 lens
▪50mm Nikon Nikkor f1.4 lens
▪85mm Nikon Nikkor f2 lens
▪135mm Nikon Nikkor f2 lens
▪180mm Nikon Nikkor f2.8 lens
▪300mm Nikon Nikkor f2.8 lens
▪Nikon Teleconverter TC-201 2X
▪77mm Genustech Eclipse Fader ND filter


Canon EOS 40D Digital SLR Package

▪Canon EF-S 18-55mm f/3.5-5.6 Autofocus Lens
▪Canon batteries
▪Adapter ring for manual Nikon glass
▪Canon Timer Remote Controller TC-80N3


Canon EOS Rebel T3I Digital SLR Package

▪Canon EOS Rebel T3I camera body
▪Canon EF-S 18-55mm f/3.5-5.6 Autofocus Lens
▪Canon batteries
▪Adapter ring for manual Nikon glass


▪Bogen Manfrotto 536 Carbon Fiber Video Tripod
▪Bogen Manfrotto 351MVB2 Tripod Aluminum Tripod Legs
▪Bogen Manfrotto 503HDV Pro Tripod Head
▪Bogen Manfrotto 501HDV Pro Tripod Head
▪Bogen Manfrotto 701RC2 Video Fluid Head
▪75mm Half Ball
▪MBAG90P Padded Case
▪Bogen Manfrotto Professional Monopod 681B

▪Sunpak 7500-Pro Tripod

Sliders and Dollies

▪Kessler 40.5 inche Cineslider with Bogen Manfrotto 503HDV Pro Tripod Head
▪Kessler ElektraDrive Bundle Package with Basic Controller v2.0
▪M10 Smooth Pro Camera Dolly



▪Rode Smartlav Lavalier Microphone
▪Azden SGM-1000 SGM1000 XLR Shotgun Condenser Microphone
▪3-pin XLR Male to 3-pin XLR Female Balanced Cable – 100 ft
▪Sony WCS999 Wireless Camcorder Microphone
▪PRO99-SM 9′ Articulated Microphone Boom Pole + Shock Mt
▪Sony MDR-7502 Headphone

Bags and Cases

▪Calumet WT6840 Watertight Rolling Hard Case
▪Kata Backpack
▪Tamrac Expedition 5 w/ Large Side Bags, GR8 Shape Canon
▪Tamrac Expedition 3
▪Large Waterproof Storm Case for letus Ultimate
▪Benbo Soft Case for kessler cineslider

Vortex Media

▪Mastering the Sony PMW-EX1/EX1R


▪Tangent Wafe



Edit Suites

▪1 Dell Precision 690 workstation 8 core Computer Adobe Creative Suite CC Production
Premium (64bit)
▪1 Dell Precision 690 workstation 4 core Computer Adobe Creative Suite 6 Production
Premium (64bit)
▪1 Dell laptop 8 core Computer Adobe Creative Suite 5 Production Premium (64bit)

Neo – DI Workflow for Digital Mastering and Feature Film
Online post workflows for all RAW and RGBA sources up to 4K spatial resolution

▪Optimized for digital mastering, digital cinema, television, and effects-heavy projects, Neo is the right product to support the most demanding 2D and 3D digital intermediate workflows. Neo converts virtually all camera formats from HDV to 6K digital cinema, DSLRS, 3D cameras, and file-based fomats including TIF and DPX into Cineform Digital Intermediate files for the highest quality editing, effects, and mastering workflows.

With versions for both Windows and Mac, CineForm’s Neo delivers a real-time digital intermediate workflow, even up to 4K spatial resolution, that is compatible with most NLEs — including from Adobe, Apple, Avid, and Sony — enabling cross-platform compatibility for 2D and 3D editing and effects applications that has never before existed. A CineForm DI workflow begins with the underlying CineForm Intermediate compression acclaimed for its high visual fidelity, and which is used routinely as the mastering format for 2D and 3D film, televison, and archive workflows.

Neo also includes the First Light application to allow non-destructive primary color correction, 3D adjustments, plus text and graphics overlays without flattening those adjustments into the underlying video layer. This is accomplished through First Light’s Active Metadata architecture that ensures compatibility with all QuickTime and AVI applications. Neo also includes HD Link (Win) and ReMaster (Mac) which convert virtually all camera or file sources into CineForm files at unrestricted spatial resolution.